The “promise” Eveline makes to her mother represents the
broader promise women make to the society of Dublin. Well, I shouldn’t really
say that the women make the promise because Dublin requires that they “keep the
home together” lest they face societal persecution and judgment (28). This
status quo, which Eveline does not (and cannot) question on principle,
restrains her the most. Eveline is aware that her mother’s life was “pitiful,”
but it’s not a sense of personal obligation to her mother that holds her back;
it’s her role as a woman generally.
Eveline
is the first woman we’ve had as a main character, and Joyce expectedly paints a
dismal picture. That Eveline needs saving at all and that this saving must come
from a man (a “manly” man) points to a disadvantage women have which men, and
even boys, do not (27). Notice that in An
Encounter the boys manage to run off with little consequence, and, while
men too remain paralyzed in Dublin, Eveline’s paralysis comes from a gender
specific problem. The very existence of maternal qualities for this 19-year-old
girl (i.e. those seen in her taking care of the two children) means that she is
making a transition to womanhood very early, and this transition creates the
syndrome that leads to her paralysis.
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