Mr. James Duffy seems like quite the boring recluse. Not
only does he live outside of the city because he “wished to live as far as
possible” (87) from Dublin, he lives in a completely bland home. He has
“uncarpeted” (87) floors, walls “free from pictures” (87), and all “white” (87)
lamps, bedclothes, and bookshelves. All of this contributes to, quite
literally, the least excited living space possible. This all seems consistent
with his deeply ingrained solitariness.
But that is were the consistency ends. Duffy seems to flip
flop on his feelings towards his lifestyle. At first, Duffy seems dedicated to,
and proud of living with “neither companions nor friends, church nor creed,”
(88) further evidenced by his choice to live outside of the city. Once he meets
Sinic, he “seized” (89) the opportunity to talk to her, a significant descent
from his original position. After he begins his relationship with Mrs. Sinico,
his internal monologue continues to insist on “the soul’s incurable
loneliness.” (90) Joyce may want to depict the struggle of the intellectual,
especially in a less than enlightened environment. Duffy, intellectually
isolated by the “obtuse middle class” (90) that would never accept his
progressive ideas, turns to Sinico as a confidant. At first, I took this as
Joyce critiquing the singularity of some philosophers. How can someone truly
ponder the human condition without actually living amongst other human beings
and living a normal life? The final epiphany supports this when Joyce leaves us
in “perfect silence” (96) and Duffy feeling “alone,” (96) feeling the absolute
loneliness and emptiness of his life until now, again shifting his position.
Interestingly, Duffy’s opinion seems to have been
significantly influenced by Nietzsche. ThusSpake Zarathustra denounces pity and exalts personal enhancement. Using
this a baseline, Duffy would be in the right to live as a recluse, apart of the
self-indulgent society of Dublin. Moreover, Duffy would be right to have
abandoned Sinico because of her inferior will power.
One thing I do not understand is Duffy’s opinion of the
general population. At one point, the narrator notes his fear of the “gilded
youth” (88) seemingly showing a level of admiration or at least appreciation of
the youth and by extension the future of Dublin. However, Duffy quickly
contradicts this sentiment concluding that Dublin will not see a social
revolution for “some centuries” (88). Moreover, he shows a significant amount
of disdain for society, only existing within society to fulfill his family
duties in accordance with the “old [dignity].” (88)
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