After unsuccessful in his attempts to
kiss the girl he had met the night before, Stephen attempts to write a love
letter to her, during the reader gets the full effect of Stephen’ stream of
consciousness. At the beginning
and ending of the letter, Stephen the initial letters of the Jesuits “From
force of habit” (61). This
initially displays that Stephen may show some signs of carelessness while
writing the letter, but I think the reader learns more about this later on in
the paragraph. So after writing
the initials, Stephen decides to write E--- C--- because “He had seen similar
titles in the collected poems of Lord Byron” (61). This portrays that Stephen is familiar with the love poems
of Lord Byron and probably views himself as the main protagonist in Byron’s
poems trying to woo the girls just as Stephen imagines the same as Count of
Monte Cristo. The choice of
Stephen to imitate Lord Byron also reflects the literary progress Stephen has
made because as a young boy he is only able to imitate the easy details of
great poets and authors and does not have his own style yet.
He then starts to daydream and sees
himself writing a poem on the back of one of his father’s second moiety notices,
which suggests that Stephen is still disgruntled about his family’s loss of
financial security. But instead of
writing a poem, he writes the names of some of his classmates, and then he “thinks
himself into confidence” (61).
Instead of writing his love poem for the girl, Stephen starts writing
the name of some of his classmates, and with the knowledge that Stephen
struggles with his sexual orientation, this might suggest that he instead
wishes to write a love letter to one of them instead. This is where the writing of the Jesuit initials comes back
because Stephen is then encouraged after this to continue on with his
poem. The fact that the initials
surrounds the poem could suggest that Stephen might be writing the poem not
because he truly wants the girl, but because he feels pressure to conform to
social norms and define his sexual orientation. This might further gain traction since he is not able to
vividly describe the scene. The
one thing I was not able to make out through this interpretation was the “undefined
sorrow” (62) that Stephen mentions as they kiss goodbye. Could this mean my interpretation is
wrong or possibly that the undefined sorrow was Stephen’s way of describing
that he felt something was wrong?
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